The Trees 1974. The Complete Poems of Philip Larkin. Faber and Faber, 2012.
The relationship between nature and the human body continues to make connections, patterns and maps for me. Scaffolding is a temporary structure for building or repairing; bamboo, a material traditionally used for its flexibility and strength, allowing it to withstand weight and pressure. There is pleasure in the rhythmic knocking as a rack is built, in sensing the slow pulse of its sap whilst it’s alive in the forest, in the history and survival represented by the growth rings along its culm. They could be interpreted as ladders, stitches, scars in the vocabulary of the painting. Weighing heavily above the bamboo is a murkier oppressive pressure – an emotional disturbance. The boundary between the two forces fuses with subtle energy – fraying and slipping around the edges in the way memories do. Healing and balance require facing the vulnerability that shut down emotions. Nature’s undersong holds her ground.
“The art we make is inevitably autobiographical; the accretion of interpretation and embellishment that has its core in our own personal experience”
Mann, Sally. Art Work: On the Creative Life. Penguin, 2025
We use cookies and similar technologies to improve your experience on our website.